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Nicky Tunpitcha, Lead Animator at creative technology agency S1T2.

Nicky Tunpitcha

Lead Animator

Nicky specialises in incorporating 2D animation into motion productions and experiential marketing. Her accomplishments include a piece called “Lick” screened at the Australian Centre for the Moving Image (ACMI), a full system set-up (360 stitching and post production) of the HSBC Wallabies All Access Virtual Reality Experience, and producing a TVC for Vodafone. Her inquisitive nature led to the self-teaching of 3D animation, motion graphics, and video editing. Her latest undertaking includes bringing animations into game design through engines like Unreal and Unity. In her spare time, she obsessively fawns over title sequences, the use of colour in animations, and animation transitions.

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Articles written by Nicky Tunpitcha

  1. Nicky Likes – February 2019

    Nicky Likes February 2019 blog post feature image.
    It’s been a while but I’m back again! Welcome to “Nicky Likes” the blog where I curate all my the things that tingle my creativity.
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  2. Nicky Likes – November 2018

    Nicky Likes November 2018 blog post feature image.
    Welcome back to “Nicky Likes”! It’s been a while since the last issue, but I’m back and curating all my art and technology inspiration here at S1T2.
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  3. Nicky Likes – September 2018

    Nicky Likes September 2018 blog post feature image.
    Hello fellow creatives! I’m back again with my 2nd issue of  “Nicky Likes”, a blog series that explores and shares the art and technology references that have influenced me at work.
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  4. Nicky Likes – August 2018

    Nicky Likes August 2018 blog post feature image.
    Since I have been working at S1T2 (for ages), I have spent so much time on ideation and referencing. I’ve been inspired by so many different kinds of art and technology around the office.
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  5. How to Make a 3D Hologram

    Artwork for How to Make a Hologram with S1T2.
    At S1T2 we’re always sharing new technologies and designs with each other to help and inspire our work. Sometimes, this leads to personal projects and R&D at work. Even though my title is Lead Animator, I always have the chance to contribute ideas and designs to keep my creative juices flowing.
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  6. How to Make 360 Video for Virtual Reality

    Animated Stitching of how to make a Virtual Reality Video.
    360-degree spherical video has always been something that intrigued me, and last year, I was encouraged to start experimenting in light of virtual reality.
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  7. A Love Affair with Title Sequences Leads to Creativity

    Model posing in a vivid environment.
    Whenever I watch a movie, I’d make sure that by the time the title was being shown I’d comfortably be in my seat because I’d be staying until the end of the movie credits. There was something about the title and credits sandwiching the movie that constantly intrigue me. But it was only when I started animation that I realised they’re called “Title Sequences”.
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  8. Light Testing and Texture Simulation for Vivid Sydney

    Creative lights of Deer and Wolf.
    Once again, we have the great opportunity to be involved in Sydney’s annual Vivid Lights and Sounds Festival. It entails a lot of pressure, especially after the success of Ray, our sculpture in 2014. We always do our best to stay organised, anticipating and preparing for the problems that we might encounter. The earlier we find our flaws, the better the flow of the project is.
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